"This one was a game-changer for me, way back when. Calvino completely overturned my understanding of what was possible with fiction." - Craig
Showing posts with label italy. Show all posts
Showing posts with label italy. Show all posts
Jul 9, 2018
If on a winter's night a traveler - Italo Calvino
"This one was a game-changer for me, way back when. Calvino completely overturned my understanding of what was possible with fiction." - Craig
May 23, 2018
SBPL Coffee Break - Vanessa Christman (Episode 2)
This week we were joined by Vanessa Christman, Assistant Director of the Santa Barbara Public Library System.
Mentioned In This Episode:
Poetry at the Library:
santabarbaraca.evanced.info/signup/Even…=2018/05/06
Trail Talk:
santabarbaraca.evanced.info/signup/Even…=2018/05/17
Black Panther:
santabarbaraca.evanced.info/signup/Even…=2018/05/17
Italy Travel:
www.hoopladigital.com/search?page=1&…ope=Everything
Ecco Guide to Italian WIne:
www.hoopladigital.com/title/11918229
My Italian Bulldozer:
blackgold.overdrive.com/media/2989427
Basque Restaurants Bakersfield:
www.visitbakersfield.com/visitors/res…ield-basque/
Last Gentleman & Second Coming (Hoopla):
www.hoopladigital.com/title/11560220
Second Coming:
www.blackgold.org/polaris/search/t…1033.0.0.1&pos=6
Lucy Knisley:
www.blackgold.org/polaris/search/s…ge=0&searchid=10
French Milk:
www.blackgold.org/polaris/search/t…1033.0.0.1&pos=8
You Can Never Find a Rickshaw When It Monsoons:
www.blackgold.org/polaris/search/t…1033.0.0.1&pos=1
What are your picks?
Apr 1, 2018
Jan 5, 2018
Jul 4, 2017
Jun 1, 2017
Jul 1, 2016
Mar 1, 2016
Nov 1, 2014
Paganini's Ghost - Paul Adam
Summary: After an unsavory art dealer is found dead in his hotel room, violinmaker Giovanni Castiglione must search for an instrument once owned by famed violinist Niccoláo Paganini--and solve a mystery that has gone unanswered for over a century.
Booklist Reviews
A day after a heavily promoted violin recital in Cremona, Italy, at which prize-winning Russian prodigy Yevgeny Ivanov plays the priceless violin once owned by Paganini, a visiting French art dealer is found murdered in his hotel room. When a scrap of paper torn from a Paganini piece played by Ivanov seems key to opening an ornate gold box found in the victim's possession, violin maker Gianni Castiglione (introduced in The Rainaldi Quartet, 2006) is called into the case by his friend, police detective Antonio Guastafeste. Castiglione cracks the code to find that the now-empty box once housed a small violin, setting him—with Guastafeste—on a cross-continental search, during which other murders are committed, and Castiglione must call on his knowledge of history, genealogy, and provenance to find long-missing treasures and solve the crimes. In this stylish mystery, widower Castiglione is further humanized by his developing romance with Margherita Severini and his relationship with young Ivanov. An intriguing puzzle combines with an enthralling mix of Italian ambience, history, and—most of all—music.
Check Availability
Oct 1, 2014
A Private Venus - Giorgio Scerbanenco
Summary: Recently released from prison for having practiced euthanasia, Duca Lamberti, now unable to work in medicine, takes a job helping Davide, a young and depressed alcoholic, whose past involves prostitution, pornography, and murder.
Library Journal Reviews
Originally published in 1966 and now finally translated into English, Scerbanenco's first book in his award-winning Milano Quartet, A Private Venus, is an arresting noir novel that examines the themes of alcoholism, deviant sex, remorse, retribution, and murder. Duca Lamberti, the antihero protagonist, is a disbarred doctor just out of prison after serving three years for the assisted suicide of a terminally ill woman. He has a penchant for making bad choices, opposing authority, and being obstinate—a potent mix of personality traits for a successful noir lead character. He is hired by a rich industrialist to babysit his wayward son, an apparent chronic alcoholic. Behind the son's behavior there is a secret—the murder of a young woman.Traitors to All is even more impressive. It's not surprising that it won the most prestigious European crime fiction prize, the Grand Prix de Littérature Policière. The novel is astonishing—bleak to the bone with great dialog, black humor, unforgettable characters, and a complex plot that is not in the least heavy-handed. Duca is asked to investigate a drowning, which the police have dismissed as an accident. The ultimate denouement is thoroughly satisfying. The sense of time and place (1960s Milan) is palpable and impeccable. Scerbanenco's prose is brilliant and disquieting. It's a shock to realize how powerful European noir writing was 40 to 50 years ago. VERDICT: Brave and beautiful, these novels are highly recommended for fans of literary noir; Scerbanenco's appellation as godfather of Italian Noir is not hyperbole.
Check Availability
Jul 1, 2014
I Will Have Vengeance - Maurizio De Giovanni
Summary: In 1930s fascist Naples, the enigmatic Commissario Ricciardi investigates the brutal murder of an infamous tenor, a case that is marked by the assistance of a loyal colleague and Ricciardi's own secrets.
LJ Express Reviews
Commissario Luigi Alfredo Ricciardi sees dead people. Not only in his job as a homicide detective on the Naples police force but in visions of their final moments. "Not all of them, and not for long: only those who died violently and only for a period of time that revealed extreme emotion, the sudden energy of their final thoughts." This unusual gift is both a blessing and curse, enabling the green-eyed 31-year-old Ricciardi to solve crimes successfully but also condemning him to a life of isolation and loneliness, except for the young woman he loves from afar but cannot bring himself to meet. His latest case involves the brutal slaying of tenor Arnaldo Vezzi in his dressing room at the San Carlo Theater. Because the famous opera singer had ties to Mussolini (this is 1931 fascist Italy), Ricciardi's sycophantic boss pressures him to solve the case quickly. But the meticulous commissario will not be rushed, especially when the tenor's ghost sings a final aria to him, a clue he must interpret. Verdict A well-deserved 2012 finalist for the Crime Writers Association International Dagger Award and elegantly translated by Appel, this melancholy debut entry in a quartet introduces a most unforgettable sleuth who might remind some readers of Charles Todd's ghost-haunted Insp. Ian Rutledge. De Giovanni's backstage depictions will appeal to Donna Leon fans, and the historical backdrop of Mussolini's Italy offers a fresh take on a tumultuous period that will attract readers who enjoy Philip Kerr's atmospheric Bernie Gunther novels. —Wilda Williams, Library Journal
Check Availability
May 1, 2014
The serpent of Venice - Christopher Moore
The serpent of Venice - Moore, Christopher
Summary: "Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising him an evening of spirits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia. But their invitation is, of course, bogus. The wine is drugged and the girl is not even within the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool and he has more than a few tricks (and hand gestures) up his sleeve. Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore"-- Provided by publisher.
Booklist Reviews
*Starred Review* What do you get when you stitch Othello, The Merchant of Venice, and "The Cask of Amontillado" together? Well, you get this rollickin' adventure in which Pocket, the royal fool introduced in Moore's Fool (2009), is lured to Venice, where he thinks he'll be having a fun time with the beautiful Portia, but where three men (including a fella named Iago) are actually planning to murder him. To some, the idea of combining two Shakespeare plays and an Edgar Allan Poe short story might be vaguely chilling. To begin with, Moore, author of such delights as Sacre Blue (2012) and The Stupidest Angel (2004), has to move the events of the plays from the late sixteenth century to the thirteenth to keep the chronology in line with the events recounted in Fool, which means "Amontillado" is moved roughly 500 years back in time. And let's not forget that the plays are tragedies, whereas this book, which also interpolates elements of King Lear, from which Fool was derived, is a farce. The upshot is, if you're the kind of reader who insists Shakespeare is untouchable, then this novel will probably annoy you on general principles. On the other hand, if you're a fan of Moore's brand of history-mangling humor, you'll dive right in with a big grin on your face. The grins win in the end. Copyright 2014 Booklist Reviews.
Check Availability
Summary: "Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising him an evening of spirits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia. But their invitation is, of course, bogus. The wine is drugged and the girl is not even within the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool and he has more than a few tricks (and hand gestures) up his sleeve. Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore"-- Provided by publisher.
Booklist Reviews
*Starred Review* What do you get when you stitch Othello, The Merchant of Venice, and "The Cask of Amontillado" together? Well, you get this rollickin' adventure in which Pocket, the royal fool introduced in Moore's Fool (2009), is lured to Venice, where he thinks he'll be having a fun time with the beautiful Portia, but where three men (including a fella named Iago) are actually planning to murder him. To some, the idea of combining two Shakespeare plays and an Edgar Allan Poe short story might be vaguely chilling. To begin with, Moore, author of such delights as Sacre Blue (2012) and The Stupidest Angel (2004), has to move the events of the plays from the late sixteenth century to the thirteenth to keep the chronology in line with the events recounted in Fool, which means "Amontillado" is moved roughly 500 years back in time. And let's not forget that the plays are tragedies, whereas this book, which also interpolates elements of King Lear, from which Fool was derived, is a farce. The upshot is, if you're the kind of reader who insists Shakespeare is untouchable, then this novel will probably annoy you on general principles. On the other hand, if you're a fan of Moore's brand of history-mangling humor, you'll dive right in with a big grin on your face. The grins win in the end. Copyright 2014 Booklist Reviews.
Check Availability
Dec 2, 2013
Bridge of sighs - Richard Russo
Bridge of sighs - Russo, Richard
Summary: After sixty years of living in the upstate New York town of Thomaston, Louis Charles and his wife of forty years, Sarah, prepare for a trip to Italy to visit Louis' childhood friend, an artist who had fled his hometown many years earlier.
Booklist Reviews
*Starred Review* Here is the novel Russo was born to write. Coursing with humor and humanity, the sixth novel by the bard of Main Street U.S.A. gives full expression to the themes that have always been at the heart of his work: the all-important bond between fathers and sons, the economic desperation of small-town businesses, and the lifelong feuds and friendships that are a hallmark of small-town life. Following a trio of best friends who grew up in upstate Thomaston, New York, over 50 years, the novel captures some of the essential mysteries of life, including the unanticipated moments of childhood that will forever define one's adulthood. Louis Charles ("Lucy") Lynch has spent his entire life in Thomaston, married for 40 years to his wife, Sarah, and finally living in the rich section of town, thanks to the success of his father's convenience stores. Long planning a trip to Venice, he tries in vain to communicate with the couple's best friend, Bobby Marconi, now a world-famous painter living in Venice. Meanwhile, the irascible ex-pat, now approaching 60 and suffering from night terrors, is still chasing women, engaging in fistfights, and struggling to complete his latest painting. Russo slowly and lovingly pieces together rich, multilayered portraits not only of the principals but also of their families, and, by extension, their quintessentially American town. It is a seamless interweaving of childhood memories (sometimes told from three points of view), tragic incidents (the town river, once the lifeblood of local industry, has become a toxic stew that is poisoning residents), and unforgettable dialogue that is so natural, funny, and touching that it may, perhaps, be the best of Russo's many gifts. Copyright 2007 Booklist Reviews.
Check Availability
Sep 1, 2013
Blood & beauty - Sarah Dunant
Blood & beauty: the Borges: a novel - Dunant, Sarah
Summary: "By the end of the fifteenth century, the beauty and creativity of Italy is matched by its brutality and corruption, nowhere more than in Rome and inside the Church. When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family--in particular, his eldest son, Cesare, and his daughter Lucrezia--in order to succeed. Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest--though increasingly unstable--weapon. Later immortalized in Machiavelli's The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player."--www.Amazon.com.
Kirkus Reviews
The big, bad Borgia dynasty undergoes modern reconsideration in the best-selling British author's epic new biofiction. Eclipsing her earlier period novels in scope, Dunant's (Sacred Hearts, 2009, etc.) latest is an impressively confident, capable sweep through the corrupt politics and serpentine relationships of a legendary family. Marshaling a mass of material, including contemporary research, Dunant delivers a colorful, sensual and characteristically atmospheric account of Rodrigo Borgia's ascent to the papacy as Alexander VI in 1492 and his subsequent tireless efforts to build a power base through the strategic use of his four children. Cesare is the sly, shrewd son, a match for his father in guile but with a colder heart, who moves ruthlessly from cardinal to soldier as politics and advancement dictate. Beloved daughter Lucrezia makes one strategic marriage after another while nursing a powerful attachment to Cesare. Two more sons play similarly useful roles, forging alliances. The politics are complicated, but Dunant's clear account is balanced by oddly affectionate character portraits informed by her interest in the psychology of these larger-than-life figures. Closing at a bittersweet moment that fuses family fortunes and realpolitik, the author promises a second volume. Dunant's biggest and best work to date, this intelligently readable account of formative events and monster players has Hilary Mantel–era quality best-seller stamped all over it. Copyright Kirkus 2013 Kirkus/BPI Communications.All rights reserved.
Check Availability
Summary: "By the end of the fifteenth century, the beauty and creativity of Italy is matched by its brutality and corruption, nowhere more than in Rome and inside the Church. When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family--in particular, his eldest son, Cesare, and his daughter Lucrezia--in order to succeed. Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest--though increasingly unstable--weapon. Later immortalized in Machiavelli's The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player."--www.Amazon.com.
Kirkus Reviews
The big, bad Borgia dynasty undergoes modern reconsideration in the best-selling British author's epic new biofiction. Eclipsing her earlier period novels in scope, Dunant's (Sacred Hearts, 2009, etc.) latest is an impressively confident, capable sweep through the corrupt politics and serpentine relationships of a legendary family. Marshaling a mass of material, including contemporary research, Dunant delivers a colorful, sensual and characteristically atmospheric account of Rodrigo Borgia's ascent to the papacy as Alexander VI in 1492 and his subsequent tireless efforts to build a power base through the strategic use of his four children. Cesare is the sly, shrewd son, a match for his father in guile but with a colder heart, who moves ruthlessly from cardinal to soldier as politics and advancement dictate. Beloved daughter Lucrezia makes one strategic marriage after another while nursing a powerful attachment to Cesare. Two more sons play similarly useful roles, forging alliances. The politics are complicated, but Dunant's clear account is balanced by oddly affectionate character portraits informed by her interest in the psychology of these larger-than-life figures. Closing at a bittersweet moment that fuses family fortunes and realpolitik, the author promises a second volume. Dunant's biggest and best work to date, this intelligently readable account of formative events and monster players has Hilary Mantel–era quality best-seller stamped all over it. Copyright Kirkus 2013 Kirkus/BPI Communications.All rights reserved.
Check Availability
Sep 1, 2010
The imperfectionists - Tom Rachman
The imperfectionists- Rachman, Tom
Summary: Preoccupied by personal challenges while running a struggling English-language newspaper in Rome, an obituary writer confronts mortality, an eccentric publisher obsesses over his basset hound and other staff members uncover the paper's founding by an impulsive millionaire. A first novel. - (Baker & Taylor)
Kirkus Reviews
An English-language newspaper headquartered in Rome brings together a strongly imagined cast of characters in journalist Rachman's first novel. Lloyd Burko used to be a stringer living in Paris. He's still in Paris, but now he's just an impoverished former journalist who pretends to have a computer and whose latest wife has moved in with the guy across the hall. Arthur Gopal is languishing as an obituary writer until a death in his own life enables his advancement by erasing his humanity. Hardy Benjamin is a business writer, savvy and knowledgeable about corporate finance but utterly hapless in romance. What they have in common is the never-named paper, whose history is doled out in brief chapters beginning in 1953. The novel's rich representation of expatriate existence surely benefits from the author's experiences as an AP correspondent in Rome and an editor at the International Herald Tribune in Paris; his thoroughly unglamorous depictions of newsroom cubicles and editorial offices will resonate with anyone who's had a corporate job. But, while the newspaper is its unifying factor, the narrative's heart beats with the people who work there. Rachman's ability to create a diverse group of fully formed individuals is remarkable. Characters range from a kid just out of college who learns the hard way that he doesn't want to be a reporter, to an Italian diplomat's widow. Some are instantly sympathetic, others hard to like. Each is vivid and compelling in his or her own way. The individual stories work well independently, even better as the author skillfully weaves them together. Cameo appearances become significant when informed by everything the reader already knows about a character who flits in and out of another's story. The novel isn't perfect. The interpolated chapters about the paper's past aren't very interesting; the final entry ends with a ghastly shock; and the postscript is too cute. Nevertheless, it's a very strong debut. Funny, humane and artful. Agent: Susan Golomb/Susan Golomb Agency Copyright Kirkus 2009 Kirkus/BPI Communications.All rights reserved.
Check Availability
Summary: Preoccupied by personal challenges while running a struggling English-language newspaper in Rome, an obituary writer confronts mortality, an eccentric publisher obsesses over his basset hound and other staff members uncover the paper's founding by an impulsive millionaire. A first novel. - (Baker & Taylor)
Kirkus Reviews
An English-language newspaper headquartered in Rome brings together a strongly imagined cast of characters in journalist Rachman's first novel. Lloyd Burko used to be a stringer living in Paris. He's still in Paris, but now he's just an impoverished former journalist who pretends to have a computer and whose latest wife has moved in with the guy across the hall. Arthur Gopal is languishing as an obituary writer until a death in his own life enables his advancement by erasing his humanity. Hardy Benjamin is a business writer, savvy and knowledgeable about corporate finance but utterly hapless in romance. What they have in common is the never-named paper, whose history is doled out in brief chapters beginning in 1953. The novel's rich representation of expatriate existence surely benefits from the author's experiences as an AP correspondent in Rome and an editor at the International Herald Tribune in Paris; his thoroughly unglamorous depictions of newsroom cubicles and editorial offices will resonate with anyone who's had a corporate job. But, while the newspaper is its unifying factor, the narrative's heart beats with the people who work there. Rachman's ability to create a diverse group of fully formed individuals is remarkable. Characters range from a kid just out of college who learns the hard way that he doesn't want to be a reporter, to an Italian diplomat's widow. Some are instantly sympathetic, others hard to like. Each is vivid and compelling in his or her own way. The individual stories work well independently, even better as the author skillfully weaves them together. Cameo appearances become significant when informed by everything the reader already knows about a character who flits in and out of another's story. The novel isn't perfect. The interpolated chapters about the paper's past aren't very interesting; the final entry ends with a ghastly shock; and the postscript is too cute. Nevertheless, it's a very strong debut. Funny, humane and artful. Agent: Susan Golomb/Susan Golomb Agency Copyright Kirkus 2009 Kirkus/BPI Communications.All rights reserved.
Check Availability
Subscribe to:
Posts (Atom)