Midnight's children - Salman Rushdie

Midnight's children - Rushdie, Salman

Summary: The story of Saleem Sinal, born precisely at midnight, August 15, 1947, the moment India became independent. Saleem's life parallels the history of his nation.



Kirkus Review
/* Starred Review */ When Indian novelist Rushdie arrived with Grimus in 1979 we called him "an imagination to watch." And he'll be watched indeed once this bravura fiction starts circulating--a picaresque entertainment that's clearly inspired by close readings of the modern South American fabulists and, above all, Sterne's Tristram Shandy. Rushdie's own Tristram is named Saleem Sinai--and he is born at the stroke of midnight, August 15, 1947, making him exactly contemporary with the life of India-as-a-nation. In fact, Saleem and 580 other "midnight children" born at that moment grow up to find themselves equipped with powers of telepathic communication, foresight, and heightened individual sensoria: Saleem's particular gift is a "cucumber" of a nose with which he goes through life literally smelling change. The Sinai family, originally Kashmiri Moslems, migrate to Bombay, living in ex-colonial digs. And a switch at birth with a neighbor's baby seeds narrative trouble that flowers at different times later on in the book: opera buffa complications all the way. Saleem seems to be in the middle of all cataclysmic Indian events, too. He's present during language riots and a dinner-party coup in Pakistan (where his mother fled after a marital spat involving the revealed baby-switch). Because of his olfactory talent, he becomes a "man-dog" tracker for a Pakistani military unit during the debacle in Bangladesh. And, back in Bombay, Saleem is clapped into jail with the other "midnight children" by "the Widow"--Indira Gandhi--during the dictatorial Emergency. Rushdie swoops, all colors unfurled, all stops out, through and around his synchronic fable with great gusto and sentimental fizz. And though such a rodomontade would be shameless if made out of more familiar material, the sub-continental excessiveness (and the fascinating history lesson which is incidentally built in) keeps us loading and firing right along. Tour de force, in other words--and so, of course, a little exhausting; but, unlike other fantastical picaresques, this one is truly worth the effort. A big striped balloon of a book, often dizzying with talent. (Kirkus Reviews, March 1, 1981)


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The white tiger: a novel – Aravind Adiga

The white tiger: a novel - Adiga, Aravind

Summary: Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells the terrible and transfixing story of how he came to be a success in life--having nothing but his own wits to help him along.

Kirkus Reviews
What makes an entrepreneur in today's India? Bribes and murder, says this fiercely satirical first novel. Balram Halwai is a thriving young entrepreneur in Bangalore, India's high-tech capital. China's Premier is set to visit, and the novel's frame is a series of Balram's letters to the Premier, in which he tells his life story. Balram sees India as two countries: the Light and the Darkness. Like the huddled masses, he was born in the Darkness, in a village where his father, a rickshaw puller, died of tuberculosis. But Balram is smart, as a school inspector notices, and he is given the moniker White Tiger. Soon after, he's pulled out of school to work in a tea shop, then manages to get hired as a driver by the Stork, one of the village's powerful landlords. Balram is on his way, to Delhi in fact, where the Stork's son, Mr. Ashok, lives with his Westernized wife, Pinky Madam. Ashok is a gentleman, a decent employer, though Balram will eventually cut his throat (an early revelation). His business (coal trading) involves bribing government officials with huge sums of money, the sight of which proves irresistible to Balram and seals Ashok's fate. Adiga, who was born in India in 1974, writes forcefully about a corrupt culture; unfortunately, his commentary on all things Indian comes at the expense of narrative suspense and character development. Thus he writes persuasively about the so-called Rooster Coop, which traps family-oriented Indians into submissiveness, but fails to describe the stages by which Balram evolves from solicitous servant into cold-blooded killer. Adiga's pacing is off too, as Balram too quickly reinvents himself in Bangalore, where every cop can be bought. An undisciplined debut, but one with plenty of vitality.Agent: Cathryn Summerhouse/William Morris Copyright Kirkus 2008 Kirkus/BPI Communications. All rights reserved.

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Possession - A.S. Byatt

Possession - Byatt, A.S.

Summary: A young academic couple's attempt to trace the relationship between two turbulent, romantic, and superstitious Victorian poets reveals uncanny parallels with their own lives and culminates in the exhumation of a poet's corpse - (Baker & Taylor)

Library Journal Reviews
The latest novel by the author of Still Life ( LJ 11/15/85) is as sumptuous as brandy-soaked Christmas fruitcake, dense with intrigue, beguiling characters, and a double-edged romance that bridges Victorian England and modern-day academia. At once literary and highly readable, the book boasts a compelling narrative that exposes the real life behind the art of two Victorian poets, Randolph Henry Ash and Christabel LaMotte, and contrasts their passion for life with that of Maud Bailey and Roland Mitchell, contemporary scholars who stumble upon romance hidden in dusty papers. This wonderfully written work is highly recommended.-- Linda L. Rome, Mentor, Ohio Copyright 1990 Cahners Business Information.
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