Summary: As further evidence of his family's bad fortune which they attribute to a curse on a distant relative, Stanley Yelnats is sent to a hellish correctional camp in the Texas desert where he finds his first real friend, a treasure, and a new sense of himself.
Publishers Weekly Reviews
PW's starred review of the 1999 Newbery Medal winner described it as a "dazzling blend of social commentary, tall tale and magic realism." Ages 10-up. (May) Copyright 2000 Cahners Business Information.
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Showing posts with label newberry honor/medal. Show all posts
Showing posts with label newberry honor/medal. Show all posts
Nov 10, 2015
Apr 1, 2015
When you reach me - Rebecca Stead
When you reach me - Stead, Rebecca
Summary: As her mother prepares to be a contestant on the 1970s television game show, "The $20,000 Pyramid," a twelve-year-old New York City girl tries to make sense of a series of mysterious notes received from an anonymous source that seems to defy the laws of time and space.
Booklist Reviews
*Starred Review* If this book makes your head hurt, you're not alone. Sixth-grader Miranda admits that the events she relates make her head hurt, too. Time travel will do that to you. The story takes place in 1979, though time frames, as readers learn, are relative. Miranda and Sal have been best friends since way before that. They both live in a tired Manhattan apartment building and walk home together from school. One day everything changes. Sal is kicked and punched by a schoolmate and afterward barely acknowledges Miranda. Which leaves her to make new friends, even as she continues to reread her ratty copy of A Wrinkle in Time and tutor her mother for a chance to compete on The $20,000 Pyramid. She also ponders a puzzling, even alarming series of events that begins with a note: "I am coming to save your friend's life, and my own . . . you must write me a letter." Miranda's first-person narrative is the letter she is sending to the future. Or is it the past? It's hard to know if the key events ultimately make sense (head hurting!), and it seems the whys, if not the hows, of a pivotal character's actions are not truly explained. Yet everything else is quite wonderful. The '70s New York setting is an honest reverberation of the era; the mental gymnastics required of readers are invigorating; and the characters, children and adults, are honest bits of humanity no matter in what place or time their souls rest. Just as Miranda rereads L'Engle, children will return to this. Copyright 2009 Booklist Reviews.
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Summary: As her mother prepares to be a contestant on the 1970s television game show, "The $20,000 Pyramid," a twelve-year-old New York City girl tries to make sense of a series of mysterious notes received from an anonymous source that seems to defy the laws of time and space.
Booklist Reviews
*Starred Review* If this book makes your head hurt, you're not alone. Sixth-grader Miranda admits that the events she relates make her head hurt, too. Time travel will do that to you. The story takes place in 1979, though time frames, as readers learn, are relative. Miranda and Sal have been best friends since way before that. They both live in a tired Manhattan apartment building and walk home together from school. One day everything changes. Sal is kicked and punched by a schoolmate and afterward barely acknowledges Miranda. Which leaves her to make new friends, even as she continues to reread her ratty copy of A Wrinkle in Time and tutor her mother for a chance to compete on The $20,000 Pyramid. She also ponders a puzzling, even alarming series of events that begins with a note: "I am coming to save your friend's life, and my own . . . you must write me a letter." Miranda's first-person narrative is the letter she is sending to the future. Or is it the past? It's hard to know if the key events ultimately make sense (head hurting!), and it seems the whys, if not the hows, of a pivotal character's actions are not truly explained. Yet everything else is quite wonderful. The '70s New York setting is an honest reverberation of the era; the mental gymnastics required of readers are invigorating; and the characters, children and adults, are honest bits of humanity no matter in what place or time their souls rest. Just as Miranda rereads L'Engle, children will return to this. Copyright 2009 Booklist Reviews.
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Aug 1, 2013
A wrinkle in time - Madeleine L'Engle
A wrinkle in time - Madeleine L'Engle
Summary: Meg Murry and her friends become involved with unearthly strangers and in a search for Meg's father, who has disappeared while engaged in secret work for the government.
Kirkus Review
An allegorical fantasy in which a group of young people are guided through the universe by Mrs. Who, Mrs. Which and Mrs. What -- women who possess supernatural powers. They traverse fictitious regions, meet and face evil and demonstrate courage at the right moment. Religious allusions are secondary to the philosophical struggle designed to yield the meaning of life and one's place on earth. Young Meg's willingness to face IT in the form of a black east in order to save a dear friend is one sign of her growing awareness. Readers who relish symbolic reference may find this trip through time and space an exhilarating experience the rest will be forced to ponder the double entendres. (Kirkus Reviews, March 1, 1962)
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May 1, 2013
From the mixed-up files of Mrs. Basil E. Frankweiler - E.L. Konigsburg
From the mixed-up files of Mrs. Basil E. Frankweiler - Konigsburg, E.L.
Summary: Having run away with her younger brother to live in the Metropolitan Museum of Art, twelve-year-old Claudia strives to keep things in order in their new home and to become a changed person and a heroine to herself.
Kirkus
/* Starred Review */ Elaine Konigsburg's first sharp bite of suburban life, Jennifer, He- cate, Macbeth...(131, J-43) was a dilly; this one's a dandy--just as fast and fresh and funny, but less spoofing, more penetrating. From the files of Mrs. Frankweiler comes the chronicle of Claudia Kincaid, almost twelve, and her brother Jamie, who is nine. Tired of being her same old taken-for-granted self, Claudia decides to run away, and Jamie goes along because he is flattered at being asked. Claudia has planned every detail: escape on the empty school bus, change of clothing in a violin case, sanctuary in the Metropolitan Museum. For a week the children elude the guards and exploit the opportunities of the museum: they sleep in a royal bed, bathe in the cafeteria pool, and pass part of each day in study on the fringe of lecture tours. Midweek, a marble angel of dubious origin arrives; Claudia is convinced that it is a Michelangelo and determines to prove it: she will authenticate Angel and become a heroine before going home. But no--by arrangement of Mrs. Frankweiler, she goes home a heroine only to herself (and happy); and she knows something about secrets she hadn't known before--they have to come to an end... Like the title, Mrs. Frankweiler is a bit of a nuisance; and an offhand, rather bemused reference to dope addiction is unnecessary but not inappropriate. What matters is that beyond the intriguing central situation and its ingenious, very natural development, there's a deepening rapport between their parents; "we're well trained (and sure of ourselves)...just look how nicely we've managed. It's really they're fault if we're not homesick." There may be a run on the Metropolitan (a map is provided); there will surely be a run on the book. (Kirkus Reviews, September 1, 1967)
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Summary: Having run away with her younger brother to live in the Metropolitan Museum of Art, twelve-year-old Claudia strives to keep things in order in their new home and to become a changed person and a heroine to herself.
Kirkus
/* Starred Review */ Elaine Konigsburg's first sharp bite of suburban life, Jennifer, He- cate, Macbeth...(131, J-43) was a dilly; this one's a dandy--just as fast and fresh and funny, but less spoofing, more penetrating. From the files of Mrs. Frankweiler comes the chronicle of Claudia Kincaid, almost twelve, and her brother Jamie, who is nine. Tired of being her same old taken-for-granted self, Claudia decides to run away, and Jamie goes along because he is flattered at being asked. Claudia has planned every detail: escape on the empty school bus, change of clothing in a violin case, sanctuary in the Metropolitan Museum. For a week the children elude the guards and exploit the opportunities of the museum: they sleep in a royal bed, bathe in the cafeteria pool, and pass part of each day in study on the fringe of lecture tours. Midweek, a marble angel of dubious origin arrives; Claudia is convinced that it is a Michelangelo and determines to prove it: she will authenticate Angel and become a heroine before going home. But no--by arrangement of Mrs. Frankweiler, she goes home a heroine only to herself (and happy); and she knows something about secrets she hadn't known before--they have to come to an end... Like the title, Mrs. Frankweiler is a bit of a nuisance; and an offhand, rather bemused reference to dope addiction is unnecessary but not inappropriate. What matters is that beyond the intriguing central situation and its ingenious, very natural development, there's a deepening rapport between their parents; "we're well trained (and sure of ourselves)...just look how nicely we've managed. It's really they're fault if we're not homesick." There may be a run on the Metropolitan (a map is provided); there will surely be a run on the book. (Kirkus Reviews, September 1, 1967)
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May 1, 2011
The graveyard book - Neil Gaiman
The graveyard book - Gaiman, Neil
Summary: After the grisly murder of his entire family, a toddler wanders into a graveyard where the ghosts and other supernatural residents agree to raise him as one of their own.
Kirkus Reviews
Wistful, witty, wise, and creepy. Gaiman's riff on Kipling's Mowgli stories never falters, from the truly spine-tingling opening, in which a toddler accidentally escapes his family's murderer, to the melancholy, life-affirming ending. Bod (short for Nobody) finds solace and safety with the inhabitants of the local graveyard, who grant him some of the privileges and powers of the dead—he can Fade and Dreamwalk, for instance, but still needs to eat and breathe. Episodic chapters tell miniature gems of stories (one has been nominated for a Locus Award) tracing Bod's growth from a spoiled boy who runs away with the ghouls to a young man for whom the metaphor of setting out into the world becomes achingly real. Childhood fears take solid shape in the nursery-rhyme–inspired villains, while heroism is its own, often bitter, reward. Closer in tone to American Gods than to Coraline, but permeated with Bod's innocence, this needs to be read by anyone who is or has ever been a child. (Illustrations not seen.) (Fantasy. 10 & up) Copyright Kirkus 2008 Kirkus/BPI Communications.All rights reserved.
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Summary: After the grisly murder of his entire family, a toddler wanders into a graveyard where the ghosts and other supernatural residents agree to raise him as one of their own.
Kirkus Reviews
Wistful, witty, wise, and creepy. Gaiman's riff on Kipling's Mowgli stories never falters, from the truly spine-tingling opening, in which a toddler accidentally escapes his family's murderer, to the melancholy, life-affirming ending. Bod (short for Nobody) finds solace and safety with the inhabitants of the local graveyard, who grant him some of the privileges and powers of the dead—he can Fade and Dreamwalk, for instance, but still needs to eat and breathe. Episodic chapters tell miniature gems of stories (one has been nominated for a Locus Award) tracing Bod's growth from a spoiled boy who runs away with the ghouls to a young man for whom the metaphor of setting out into the world becomes achingly real. Childhood fears take solid shape in the nursery-rhyme–inspired villains, while heroism is its own, often bitter, reward. Closer in tone to American Gods than to Coraline, but permeated with Bod's innocence, this needs to be read by anyone who is or has ever been a child. (Illustrations not seen.) (Fantasy. 10 & up) Copyright Kirkus 2008 Kirkus/BPI Communications.All rights reserved.
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Feb 1, 2011
Turtle in paradise - Jennifer Holm
Turtle in paradise - Holm, Jennifer
Summary: In 1935, when her mother gets a job housekeeping for a woman who does not like children, eleven-year-old Turtle is sent to stay with relatives she has never met in far away Key West, Florida.
Booklist Reviews
*Starred Review* Eleven-year-old Turtle is not one to suffer fools gladly. And she runs into a lot of fools, especially the no-goods her starry-eyed mother meets. So it's a tough little Turtle who arrives in Key West in June of 1935. She's been sent to Florida to stay with relatives because her mother's latest housekeeping job doesn't allow children. Unfortunately, Mama has neglected to tell Aunt Minnie she's coming, and Turtle gets the stink eye from cousins with monikers like Buddy and Beans. As Turtle soon learns, everything is different in Key West, from the fruit hanging on trees to the scorpions in nightgowns to the ways kids earn money. She can't be part of her cousins' Diaper Gang (no girls allowed), which takes care of fussy babies, but when she finds a treasure map, she hopes she'll be on Easy Street like Little Orphan Annie. Holm uses family stories as the basis for this tale, part romp, part steely-eyed look at the Depression era. Reminiscent of Addie in the movie Paper Moon, Turtle is just the right mixture of knowingness and hope; the plot is a hilarious blend of family dramas seasoned with a dollop of adventure. The many references to 1930s entertainments (Terry and the Pirates, Shirley Temple) will mostly go over kids' heads, but they'll get how much comics and movies meant to a population desperate for smiles. An author's note (with photos) shows Holm's family close-up. Copyright 2010 Booklist Reviews.
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Summary: In 1935, when her mother gets a job housekeeping for a woman who does not like children, eleven-year-old Turtle is sent to stay with relatives she has never met in far away Key West, Florida.
Booklist Reviews
*Starred Review* Eleven-year-old Turtle is not one to suffer fools gladly. And she runs into a lot of fools, especially the no-goods her starry-eyed mother meets. So it's a tough little Turtle who arrives in Key West in June of 1935. She's been sent to Florida to stay with relatives because her mother's latest housekeeping job doesn't allow children. Unfortunately, Mama has neglected to tell Aunt Minnie she's coming, and Turtle gets the stink eye from cousins with monikers like Buddy and Beans. As Turtle soon learns, everything is different in Key West, from the fruit hanging on trees to the scorpions in nightgowns to the ways kids earn money. She can't be part of her cousins' Diaper Gang (no girls allowed), which takes care of fussy babies, but when she finds a treasure map, she hopes she'll be on Easy Street like Little Orphan Annie. Holm uses family stories as the basis for this tale, part romp, part steely-eyed look at the Depression era. Reminiscent of Addie in the movie Paper Moon, Turtle is just the right mixture of knowingness and hope; the plot is a hilarious blend of family dramas seasoned with a dollop of adventure. The many references to 1930s entertainments (Terry and the Pirates, Shirley Temple) will mostly go over kids' heads, but they'll get how much comics and movies meant to a population desperate for smiles. An author's note (with photos) shows Holm's family close-up. Copyright 2010 Booklist Reviews.
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