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May 1, 2014

The serpent of Venice - Christopher Moore

The serpent of Venice - Moore, Christopher

Summary: "Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising him an evening of spirits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia. But their invitation is, of course, bogus. The wine is drugged and the girl is not even within the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool and he has more than a few tricks (and hand gestures) up his sleeve. Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore"-- Provided by publisher.

Booklist Reviews
*Starred Review* What do you get when you stitch Othello, The Merchant of Venice, and "The Cask of Amontillado" together? Well, you get this rollickin' adventure in which Pocket, the royal fool introduced in Moore's Fool (2009), is lured to Venice, where he thinks he'll be having a fun time with the beautiful Portia, but where three men (including a fella named Iago) are actually planning to murder him. To some, the idea of combining two Shakespeare plays and an Edgar Allan Poe short story might be vaguely chilling. To begin with, Moore, author of such delights as Sacre Blue (2012) and The Stupidest Angel (2004), has to move the events of the plays from the late sixteenth century to the thirteenth to keep the chronology in line with the events recounted in Fool, which means "Amontillado" is moved roughly 500 years back in time. And let's not forget that the plays are tragedies, whereas this book, which also interpolates elements of King Lear, from which Fool was derived, is a farce. The upshot is, if you're the kind of reader who insists Shakespeare is untouchable, then this novel will probably annoy you on general principles. On the other hand, if you're a fan of Moore's brand of history-mangling humor, you'll dive right in with a big grin on your face. The grins win in the end. Copyright 2014 Booklist Reviews.

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