Summary: Seeking to restore the selection and arrangement originally intended by Plath at the time of her death, this edition of her final works features a facsimile of her complete working drafts of the title poem provided to offer insight into her creative process.
Booklist Reviews
Plath and her indelible writings have been subjected to a veritable hurricane of commentary. The storm seems to be subsiding, and although it does leave devastation in its wake--the unfair vilification of poet Ted Hughes, Plath's husband, the father of their two children and the holder of the copyright to Plath's writing--it has also kept Plath's work in the public eye, and it has inspired the publication of this treasure: the original manuscript for Plath's masterpiece, Ariel. As Frieda Hughes, a poet and an artist, explains in her set-the-record-straight foreword, her mother left behind a manuscript of 40 poems ordered by a table of contents as well as around 30 more poems written in what Frieda calls the "Ariel voice." When Ted Hughes published Ariel, he replaced and rearranged poems, editorial decisions that have been harshly criticized. Now, finally, readers can see Plath's actual manuscript in this handsome facsimile, which provides a missing piece in the Plath annals and proves that there's nothing like going to the source. ((Reviewed October 15, 2004)) Copyright 2004 Booklist Reviews.
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